The Story of the
Painting of the Last Supper
by: Author Unknown, Source Unknown
by: Author Unknown, Source Unknown
Leonardo Da Vinci, the noted Italian artist
painted the Last Supper. It took seven years for him to complete it. The
figures representing the twelve Apostles and Christ himself were painted from
living persons. The life-model for the painting of the figure of Jesus was
chosen first.
When it was decided that Da Vinci would paint
this great picture, hundreds and hundreds of young men were carefully viewed
in an endeavor to find a face and personality exhibiting innocence and
beauty, free from the scars and signs of dissipation caused by sin.
Finally, after weeks of laborious search, a
young man nineteen years of age was selected as a model for the portrayal of
Christ. For six months Da Vinci worked on the production of this leading
character of his famous painting. During the next six years Da Vinci
continued his labors on this sublime work of art. One by one fitting persons
were chosen to represent each of the eleven Apostles -- with space being left
for the painting of the figure representing Judas Iscariot as the final task
of this masterpiece.
This was the Apostle, you remember, who
betrayed his Lord for thirty pieces of silver. For weeks Da Vinci searched
for a man with a hard, callous face, with a countenance marked by scars of
avarice, deceit, hypocrisy, and crime. A face that would delineate a
character who would betray his best friend.
After many discouraging experiences in
searching for the type of person required to represent Judas, word came to Da
Vinci that a man whose appearance fully met his requirements had been found
in a dungeon in Rome, sentenced to die for a life of crime and murder. Da
Vinci made the trip to Rome at once, and this man was brought out from his
imprisonment in the dungeon and led out into the light of the sun. There Da
Vinci saw before him a dark, swarthy man his long shaggy and unkempt hair
sprawled over his face, which betrayed a character of viciousness and
complete ruin. At last the famous painter had found the person he wanted to
represent the character of Judas in his painting. By special permission from
the king, this prisoner was carried to Milan where the picture was being
painted. For months he sat before Da Vinci at appointed hours each day as the
gifted artist diligently continued his task of transmitting, to his painting,
this base character representing the traitor and betrayer of our Savior.
As he finished his last stroke, he turned to
the guards and said, I have finished. You may take the prisoner away. As the
guards were leading their prisoner away, he suddenly broke loose from their
control and rushed up to Da Vinci, crying as he did so, "Da Vinci, look
at me. Do you not know who I am?" Da Vinci, with the trained eyes of a
great character student, carefully scrutinized the man upon whose face he had
constantly gazed for six months and replied, "No, I have never seen you
in my life until you were brought before me out of the dungeon in Rome."
Then, lifting his eyes toward heaven, the
prisoner said, "Oh God, have I fallen so low?" Then turning his
face to the painter he cried, "Leonardo Da Vinci, look at me again for I
am the same man you painted just seven years ago as the figure of
Christ."
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